Atmospheric Disturbances

New York Times Notable Book of the Year and Salon.com Top Ten Book of the Year

In this enthralling debut, psychiatrist Dr. Leo Liebenstein sets off to find his wife, Rema, who he believes has been replaced by a simulacrum. Also missing is one of Leo's patients, Harvey, who is convinced he receives coded messages from the Royal Academy of Meteorology to control the weather. At Rema's urging, Leo pretends during his sessions with Harvey to be a Royal Academy agent (she thinks the fib could help break through to Harvey), and once Rema and Leo disappear, Leo turns to actual Royal Academy member Tzvi Gal-Chen's meteorological work to guide him in his search for his wife. Leo's quest takes him through Buenos Aires and Patagonia, and as he becomes increasingly delusional and erratic, Galchen adeptly reveals the actual situation to readers, including Rema's anguish and anger at her husband. Leo's devotion to the real Rema is heartbreaking and maddening; he cannot see that the woman he seeks has been with him all along. (Publishers Weekly)

The Graveyard Book

This 2009 Newbery Medal Winner by bestselling author Neil Gaiman is sure to enthrall readers of all ages. Nobody Owens, known to his friends as Bod, is a normal boy. He would be completely normal if he didn't live in a sprawling graveyard, being raised and educated by ghosts, with a solitary guardian who belongs to neither the world of the living nor of the dead. There are dangers and adventures in the graveyard for a boy. But if Bod leaves the graveyard, then he will come under attack from the man Jack—who has already killed Bod's family . . . Beloved master storyteller Neil Gaiman returns with a luminous new novel for the audience that embraced his New York Times bestselling modern classic Coraline. Magical, terrifying, and filled with breathtaking adventures.

Purple Cow

by Seth Godin

The world is changing ever more rapidly, and the rules of marketing are no different, writes Godin, the field's reigning guru. The old ways-run-of-the-mill TV commercials, ads in the Wall Street Journal and so on-don't work like they used to, because such messages are so plentiful that consumers have tuned them out. This means you have to toss out everything you know and do something "remarkable" (the way a purple cow in a field of Guernseys would be remarkable) to have any effect at all, writes Godin (Permission Marketing; Unleashing the Ideavirus). He cites companies like HBO, Starbucks and JetBlue, all of which created new ways of doing old businesses and saw their brands sizzle as a result. Godin's style is punchy and irreverent, using short, sharp messages to drive his points home. As a result the book is fiery, but not entirely cohesive; at times it resembles a stream-of-consciousness monologue. Still, his wide-ranging advice-be outrageous, tell the truth, test the limits and never settle for just "very good"-is solid and timely.

From Publishers Weekly

A Mercy

Nobel prize winning Toni Morrison's latest novel describes the slave trade of the 1680s. Old themes rise up in A Mercy like a fever dream: the horrible sacrifice a mother makes to protect her child, the deadly vanity of benevolent slaveholders, the abandonment of a past too painful to remember. But this is a smaller, more delicate novel, a fusion of mystery, history and longing that stands alongside Beloved as a unique triumph in Morrison's body of work. The lush poetry and amorphous structure of A Mercy reflect the story's distant setting in the mist of America's creation, when independence and the three-fifths compromise of the Constitution were still a century away. The four abandoned women at the center of this novel -- one white, one Native American and two black -- are all enslaved in some way, struggling to maintain their precarious life together on a failing farm in the late 17th century when the New World's traditions of slavery are fresh and fluid.

Gilgamesh

A new English version of the ancient Assyrian/Babylonian poem Gilgamesh by Stephen Mitchell is considered one of the masterpieces of world literature. But until now there has not been a version that is a superlative literary text in its own right. Acclaimed by critics and scholars, Stephen Mitchell's version allows us to enter an ancient masterpiece as if for the first time, to see how startlingly beautiful, intelligent, and alive it is.